September 20, 2019

photo: Katarzyna Machniewicz

While I was still drafting this log about the tour in Edinburgh, it happened to me that it became the last stop for me of this work, and the project.

I injured my knee during the premier of my new work Drifting, and would need some treatments...

May 28, 2019

Throwback to Supercell: Festival of Contemporary Dance Brisbane.

It's been almost two months since I came back from Brisbane where my solo Folding Echoes was invited to perform by Supercell: Festival of Contemporary Dance Brisbane. 

I arrived in the morning bef...

February 8, 2019

My solo work Folding Echoes (2016) will be going onto tour for the 9th time, and this time, it brings me to Brisbane, Australia for the first time in my life together with two other works from two distinctive Hong Kong choreographers, Wayson Poon and Pik-Kei Wong. It w...

October 12, 2018

Carried our luggage from Tai Kwun to the airport. Spent almost four hours on the plane. Slept. Woke up. Checked in hotel. Rest for another two hours. Rehearsal. Technical session. Spacing. Washing costume. Day 1.

Warming up in the second day in this well-lit studio foll...

October 1, 2018



The only thing I learnt is keeping on learning, learning to be humble, to open myself, to observe, to admit and accept limitation...

September 8, 2018

★★★★ “he performs much of this with irony, and, cleverly, we don’t always know which side of that line he has stepped over.“

--The Wee Review

★★★★ “The show is dynamic and well paced possessing a natural rhythm which lulls the audience into sense of security and this cou...

August 21, 2018

13-20/8/2018 Summer, Edinburgh, UK

Back to UK for the first time after my study in London three years ago. Of course Edinburgh is not like London, yet still reminds me the scent of her. I don't miss London often, but coming back feels natural in some ways. This time I c...

May 31, 2018



替這次內部演出拍攝的Steve Li已經是第三次為這個演出以照片紀錄,他從首演一直跟隨到現在,也就過了快兩年的時間。從照片見證作品的延伸和變形,...

May 5, 2017


在隱身於城市小角落的場地,多數的在地人會認識旁邊的越南餐館,卻不知道這個溫馨卻充滿實驗的小黑盒performance art depot (pad)。第九年舉行的國際表演藝術節從去年收到三百份作品徵件到今年的八百份,對兩位總監,兼技術部門兼對外對內一切事務的Peter和Nic來說實在是極限,於是從八百份當中他們已經擬好了下一年的節目,再來的就已經是2019年的徵件。但從節目看來,他們也真的確立了這個藝術節的定位和美學,以及一群本地的觀眾。


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