April 16, 2019

The process of learning how do I position myself in a creative process with other collaborators in the room. 

I've been thinking a lot about, as a performer and dance-maker, what's the point of having an overseas residency? What makes it necessary to have my research an...

February 8, 2019

My solo work Folding Echoes (2016) will be going onto tour for the 9th time, and this time, it brings me to Brisbane, Australia for the first time in my life together with two other works from two distinctive Hong Kong choreographers, Wayson Poon and Pik-Kei Wong. It w...

February 3, 2019

it will come later.

過程中講的是transformation,但同時也是在實驗所謂的集體創作的可能,所以最後的作品既從個人的想像出發,亦以個人的方式離開。

將至。

真實的力量、抗衡與拉扯。


My sense of time is completely distorted with different residencies in different cities, with different vibes around in the past weeks. Events and happenings seem to m...

November 4, 2018

Try to hide the beginning, try to hide the end.

來到布達佩斯的第七天,也是行程中的第二站。從攝氏一度,突然下起雪來的瑞典到匈牙利的布達佩斯-晴朗如初夏的十一月。從十一人的團隊離開,回到四位藝術家的創作,匈牙利作曲Balint的加入;當地的展演結束,又回歸到團隊創作的步伐,彷彿找到了一個確切的形式狀態,但然後呢?另外兩位今天到埗的編舞又要如何加入這個形式裡面,她們如何經歷我們到達這個形式的過程,去蕪存菁的過程中我們保留了甚麼,又為何只保留了這些,我們還有空間容納劇場其他空間的元素嗎,它們將...

October 21, 2018

How do we want the work to be?

How do we see ourselves, our bodies in the work, in the space?

How do we imagine the space and light would be?

How do we come up with a direction that we all agree upon, or most people do?

How do we navigate transformation?

Is transformation t...

September 16, 2018

It was definitely a precious and anxious project for me, at least for the first week of residency in Wales with the collective. The way of working in a collective indeed challenged the usual practice of an individual with the attempt of not taking over the power in the...

July 14, 2018

【New Work Premier in Macau】

It's been almost one year working on this new work, which is commissioned by 詩篇舞集 Stella & Artists and gonna premier in August this summer in Macau.

Feeling proud and privileged to be working with a group of amazing young artists from both Hon...

June 4, 2018

繼續關於對視覺記憶的重構歷程的探索。

以言語轉載,同時交錯著個體經驗。把單一身體經驗拆解,從視覺及聽覺同步的即時到延後的反應。在可想像的路線中穿插著碎片式的回憶。在語言的引導或干擾下身體的探索便成了一場心理攻防戰。

也許於我的實驗在於如何在身體的練習分享外多建構一重認知上的框架,在我們習慣討論彷彿練習的內容之外,我們可以如何察覺框架於我們自身不自覺的影響和認同。這又回到去另一個上次公開討論時的「准許」。誰在空間上建立自身的話語權及絕對的權力,而當這話語權被分配予眾人之時,參與的人如何理解和加入自己的聲音,又如何辨認聲音於場域中帶來的影響...

May 25, 2018

//...and ultimately, it is only that dialogue that matters.//

Dialogue That Matters, 27 May 2018, Joseph Lee

A participatory work based on the idea of interaction between the performer and the audiences (remappers in this case) in the absence of verbal communication, to...

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