April 16, 2019

The process of learning how do I position myself in a creative process with other collaborators in the room. 

I've been thinking a lot about, as a performer and dance-maker, what's the point of having an overseas residency? What makes it necessary to have my research an...

December 24, 2018

Such a precious chance to meet and work with a group of young talents from different backgrounds, but all with great generosity in sharing dance and openness to accept any challenges in the process.

I think that was what I wanted to achieve in the first place--connectin...

September 20, 2018

In order to further investigate the possibility of the research that I've been working on for The World Was Once Flat, as well as sharing it to local artists, I've led two days of workshop devised from the materials and form in the piece.

It was so lovely to see ho...

May 16, 2018

不加鎖舞踊館與法國勒拉佛爾諾曼第國立舞蹈中心開展了超過一年的研習和排練,與編舞家Emmanuelle Vo-dinh共同完成了去年對我們四位香港舞者而言一個非常重要的作品--《西門說》。無論過程又或是作品都為我們帶來了完全不同的視點和藝術高度,即使是演出後過了一年,當中還是有很多靈感帶著我們走進下一個階段的表演與創作。而不加鎖舞踊館決定讓我們四個又再次聚在一起,把我們對那次合作的收穫抽絲剝繭,重新整理出我們創作的起點和脈絡。

當大家都開始談及「research」、「探索」、「作品的發展期」時,很多時候都在自己的圈子裡面作嘗試。今次的舞...

April 30, 2018


這是我在參與的其中一項計劃--為期四個月的駐場,於 流白之間 Blank Space Studio 和三位不同界別的藝術家進行實力和探索,期望在不同的藝術媒介當中反照到自身的盲點。在走到第三年的路上,不能說是迷失,但我知道要更把所謂劇場和舞蹈推得更遠,我們就不能原地踏步。

而我就在這裡出走。

從暖身開始感受身體的控制。

然後閉目的練習中打開身體的多重感官。有人能夠憑著書的氣味準確辨認自己在空間中的位置;有人想像自己被帶到狹窄的長廊之間;有人的身體無法完全信任對方的帶領,每一步的重心都無法向前傾;有人有觸碰與引領的過程中想起兒時...

April 24, 2018

The story starts like this.

//In 1880, Charles Darwin and his son Francis published a paper in which they described the bending of grass seedlings towards light. Specifically, they examined this response in very young plants that had just sprouted whose leaves and shoot...

March 19, 2018

【Studio as a Playground vol.2】--
身體的可讀性 
readable context of our body

回顧去年十月的時候在台灣辦的第一個工作坊。於驫舞劇場駐場兩個星期,開展了新作品的第一個階段的探索並做了兩次公開的工作坊,以近來探索的即興練習為主軸,拓展其他身體對於練習的可能性,強調即興中理性的判斷選擇以及強烈的意識狀態,從中提煉和感受以既有邏輯發展動作的可能。以單一的身體形態作為出發點,尋找各種令身體動作更具可讀性的形式和能量。

台灣舞者豐富的舞蹈語言總是給予我不同層次的驚喜和靈感,期待下次再臨。


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