December 6, 2019

//《回声折叠》是我看的第一个直接讨论“第四堵墙”本身的作品,它讨论传达和理解,它在乎观众的观感和解读(编舞李伟能先生说本来很想安排演后谈的但是不知道为啥没办成我真的很遗憾)(哲学上我也可以说第四堵墙是永远打不破的因为永远有新的表演者和观众关系产生,演后谈又是跳出去谈刚刚表演时的墙),作品本身选题就很好,同时它把格局放大到了共通的情感甚至是与世界的感知上,它是一个实验性作品,我觉得它更是“实验”本身。

...

内在情绪得到肢体外化的巨大快感和释放感是我着迷于现代舞的重要原因,舞者身上的柔与刚是讨论性别关系的良好介质。红色高跟鞋部分,尝试...

May 28, 2019

Throwback to Supercell: Festival of Contemporary Dance Brisbane.

It's been almost two months since I came back from Brisbane where my solo Folding Echoes was invited to perform by Supercell: Festival of Contemporary Dance Brisbane. 

I arrived in the morning bef...

March 30, 2019

On the train back to Gothenburg from Stockholm. 3 Shows in Sweden done, one more to go.

It is after three months we met again in the space since the premier in Krakow. Coming back to Europe, re-visiting and re-working the piece, it will come later, that six of us in iCo...

February 8, 2019

My solo work Folding Echoes (2016) will be going onto tour for the 9th time, and this time, it brings me to Brisbane, Australia for the first time in my life together with two other works from two distinctive Hong Kong choreographers, Wayson Poon and Pik-Kei Wong. It w...

February 3, 2019

it will come later.

過程中講的是transformation,但同時也是在實驗所謂的集體創作的可能,所以最後的作品既從個人的想像出發,亦以個人的方式離開。

將至。

真實的力量、抗衡與拉扯。


My sense of time is completely distorted with different residencies in different cities, with different vibes around in the past weeks. Events and happenings seem to m...

January 1, 2019

2018年以香港比舞 開始,到日本宮崎,法國,福岡演出,然後到澳門與詩篇舞集 Stella & Artists 進行《世界(曾經)是平的》排練。同時做香港藝術節的外展教育項目。及後開展為期四個月在 流白之間 Blank Space Studio 的 觀。聲。陣 To Behold To Voice To Remap 駐場計劃,發展了一系列關於影像與自我對話的探索。然後是Passoverdance 新約舞流年度制作Maze2 的排練。

半年就這樣過去,下半年主要在做《世界(曾經...

October 12, 2018

Carried our luggage from Tai Kwun to the airport. Spent almost four hours on the plane. Slept. Woke up. Checked in hotel. Rest for another two hours. Rehearsal. Technical session. Spacing. Washing costume. Day 1.

Warming up in the second day in this well-lit studio foll...

October 1, 2018

學習在於對日常生活的觀察,和發問。缺乏經驗可以是個很好的理由去犯錯,但也是從中用力在錯誤跟無知中學習更多的機會。只要我們都能夠對於未知中勇敢學習,從最小的事物開始。

在十二場的演出當中找尋到更多屬於自己和作品的關係,也在兩星期的時間中問自己在經營怎樣的一個團隊,在走一條甚麼樣的路。

The only thing I learnt is keeping on learning, learning to be humble, to open myself, to observe, to admit and accept limitation...

September 8, 2018

★★★★ “he performs much of this with irony, and, cleverly, we don’t always know which side of that line he has stepped over.“

--The Wee Review

★★★★ “The show is dynamic and well paced possessing a natural rhythm which lulls the audience into sense of security and this cou...

August 21, 2018

13-20/8/2018 Summer, Edinburgh, UK

Back to UK for the first time after my study in London three years ago. Of course Edinburgh is not like London, yet still reminds me the scent of her. I don't miss London often, but coming back feels natural in some ways. This time I c...

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