It tastes like you tried to explore the abstract relationship between cooking, taste, memories and emotions, revealing the moments when memories are recalled in daily routines and the inevitable solitude.

The work emphasizes the ritual nature of cooking, with the body gestures, specific living room space, the repetition, the concentration and the state of body. All of these reveal the connection with the body and the inner space of the mind during the cooking process and how this connection further provoked humans imagination and recalled memories.

Monotone is used throughout the piece to guide the audience to visualize the action, but later on when the sound is totally mismatched with the actual action, it loses its meaning while allowing bigger rooms of imagination.   

Kitchen, at the end, is the place where we weep, choose, heal, recover, age, think, cleanse, create food, sometimes kill. Women spend so much of their lives in this space, and it deserves to be looked at, closely. To hear, to witness and to feel through the image to the corner of their heart.