【Studio as a Playground vol.2】-- 身體的可讀性 readable context of our body 回顧去年十月的時候在台灣辦的第一個工作坊。於驫舞劇場駐場兩個星期，開展了新作品的第一個階段的探索並做了兩次公開的工作坊，以近來探索的即興練習為主軸，拓展其他身體對於練習的可能性，強調即興中理性的判斷選擇以及強烈的意識狀態，從中提煉和感受以既有邏輯發展動作的可能。以單一的身體形態作為出發點，尋找各種令身體動作更具可讀性的形式和能量。 台灣舞者豐富的舞蹈語言總是給予我不同層次的驚喜和靈感，期待下次再臨。 Last year in October, I held my first workshop in Taiwan in HORSE Dance Theatre, where I stayed for two-week residency and started the first phase of the research of my latest work. The two public workshops

It was my pleasure to be invited by Professor Kenneth Lee to have a talk in the marketing seminar in CUHK, the university I was in. It was actually my first time to give an hour talk on dance to the public (and first time in lecture theatre 1!). Those young faces just reminded me the time in the business school, just so much memories flashed back. And I just wanted to take that chance to share art and dance with them, trying to open up a new perspective in life to them, somet

Really honored to be nominated as Emerging Choreographer this year in the Dance Award, especially together with some great artists that I get to know in this generation. If contemporary dance has to gain its values in the public's mind, new vision and energy has to be encouraged to bring changes within the system and industry. Thank you for the openness of the Award panel for their acceptance of different perspectives in dance. I truly believe in the potential of Hong Kong da

I don't usually teach now, yet, this project really got my fire in education in many sense. It was not an easy project to begin with -- 3 schools, 30 students, 5 different kinds of performance skills, 2 weeks of intensive workshop with overseas artists, in total 8 rehearsals before going onto the stage. And we made it, and I'm proud of many of them for giving out all they have for the audience.To me, it was not an ideal process in terms of education. But I'm still glad that t